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The New Building
Vision
The Brief
Research
Role Models
The Architects
Architect's
Proposal
Design
Concept
Building
Organisation
Sustainable
Design
Architect's
Drawings
General
Arrangement Plans
Sections
Elevations
Structural Engineers Proposal
Energy Efficiency
Funding
The Existing Building
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Client Brief
ASPIRATIONS
In the client’s brief, the new Swansea Print Workshop premises was
envisioned as a public access building housing a range of events and
full educational programme. The expansion of technical facilities and
teaching and processing areas will enable them to realise this
endeavour. The new accommodation will allow SPW to run activities and
courses concurrently that can only be run consecutively in the present
building. A new premises will enable SPW to meet their growing demand
and increase their revenue to the point where they can become
increasingly self sufficient.
Swansea Print
Workshop aspires to be the centre for contemporary printmaking in Wales.
With a dedicated building it would act as a focus and catalyst for all
those involved in the advocacy of printmaking, including schools,
colleges, curators, artists groups, collectors and voluntary
organisations.
The new building
would provide first-class printmaking facilities to meet the needs of
the studio users and encourage the very best artists to come and work in
Wales, which would support an international series of events. The
inclusion of two artist in residence studios would encourage the
development of this programme.
The provision of
artist studios for rent would provide support for emerging artists and a
nucleus of artists to provide the energy to support a wide range of
activities. A dedicated gallery to promote and sell prints would
generate income as well as contributing to the stature and financial
well being of artists and printmakers in Wales.
As stated in the
brief, an enhanced facility will:
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increase SPW’s
profile in the community
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increase workshop
membership
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increase
enrolment in classes and production in workshops
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allow SPW to
conduct national and international events
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allow SPW to
provide rental studios for emerging artists
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increase the sale
of artworks produced by SPW
Sarah Wigglesworth
Architects were appointed to conduct this feasibility study because of
their aspiration to develop an innovative design incorporating ideals of
sustainable building. This approach was appealing to the client for
economic as well as environmental reasons. There was a desire to match
the ethos of SWA and SPW in housing an ecological print workshop which
demonstrates sensitive practice in printmaking in a building which
demonstrates the sensitive practice of architecture.
THE KINGS LANE WAREHOUSE
In the client’s brief, SPW noted that the character of the existing
building matched well with the character of the organisation; that the
ethos behind salvaging the warehouse was shared by both client and
architect; and that a brief could be adapted to fit the existing
structure. In addition, there was a clear desire to retain the character
of the existing facades, so a decision was made to keep all major
interventions internal. In turn, it was noted that any renovation should
maintain and enhance the building’s integrity.
OUTLINE BRIEF
Specialist Accommodation: The Print Workshop
For Swansea Print
Workshop to succeed in providing first rate, sustainable facilities, it
requires an efficient print room plan, one which understands and
accommodates the range of printmaking processes and techniques used in
the workshop.
An efficient print
room layout has a significant positive effect on practice, health and
safety, as well as the success or failure of prints.
The design of the
print floor was projected on the basis of presses already in SPW as part
of the original brief. The process of designing the floor was an area of
particular interest to the membership during the progress of the
feasibility study. Research visits to other print workshops, continued
and concentrated dialogue with the architects plus the constraints of
the building, rigorous health and safety issues, concerns for disabled
access and not least, quality of print that could be achieved, are all
elements that have influenced crucial decisions regarding the selection
of equipment. At the end of the process, SPW were able to identify an
ideal profile to meet the projected needs of the new facility:
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to provide ‘state
of the art’ precision presses designed to give consistent and
accurate results will give artists increased economic potential for
editioning as well as incorporating the very best aspects of health
and safety
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to optimise the
opportunities to work in large formats in all processes thereby
increasing the creative and economic potential for artists.
Processing equipment has been brought in line to cater for larger
format screens, blocks and plates.
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to continue to
make the connection with the prestigious history of printmaking by
selective use of antique presses in an educational context.
Supporting
Accommodation
The following is a
summary of the supporting accommodation listed in the client brief and
upon which the schedule of accommodation was based:
Gallery
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general and
specialised exhibition facilities for fine art prints and occasional
cross media exhibitions requires strict light and climate control
for conservation purposes requires security
Multipurpose
Studio
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large studio
space used for life drawing, group class activities,
lectures,seminars, and public events requires room for two rows of
easels placed around a central model; or, seating for 50 in rows
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must not be
overlooked
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requires
controlled natural light with blackout (high level windows
preferred)
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requires storage
for easels, stools, chairs, demountable tables, projection and IT
equipment
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must be close to
basic kitchen area or teapoint
Artist Studios (6)
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small independent
units available for rent
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require
independent metering and water supply
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require secure
24/7 access
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Residential
Studios (2)
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studios offered
to artists on exchange visits or residencies
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basic living
accommodation with a private studio area to work in
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studios
detachable from residences preferable
Archive
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storage facility
for archived work, reference works, journals, and publications
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requires a clean,
non print area with security
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requires secure
access for members and teaching staff
Shop & Reception
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area to direct
visitors, take bookings, handle the sale of artworks and small
printmaking materials
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must be adjacent
to the gallery
Administration
Offices
Private Car Park /
Courtyard
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